The term “Gettier Case” is a technical term frequently applied to a wide array of thought experiments in contemporary epistemology. What do these cases have in common? It is said that they all involve a justified true belief which, intuitively, is not knowledge, due to a form of luck called “Gettiering.” While this very broad characterization suffices for some purposes, it masks radical diversity. We argue that the extent of this diversity merits abandoning the notion of a “Gettier case” in (...) a favour of more finely grained terminology. We propose such terminology, and use it to effectively sort the myriad Gettier cases from the theoretical literature in a way that charts deep fault lines in ordinary judgments about knowledge. (shrink)

ABSTRACT:We provide a brief history of the business and human rights discourse and scholarship, and an overview of the articles included in the special issue.

ABSTRACT:We provide a brief history of the business and human rights discourse and scholarship, and an overview of the articles included in the special issue.

Nearly all success is due to some mix of ability and luck. But some successes we attribute to the agent’s ability, whereas others we attribute to luck. To better understand the criteria distinguishing credit from luck, we conducted a series of four studies on knowledge attributions. Knowledge is an achievement that involves reaching the truth. But many factors affecting the truth are beyond our control and reaching the truth is often partly due to luck. Which sorts of luck are compatible (...) with knowledge? We find that knowledge attributions are highly sensitive to lucky events that change the explanation for why a belief is true. By contrast, knowledge attributions are surprisingly insensitive to lucky events that threaten but ultimately fail to change the explanation for why a belief is true. These results shed light on our concept of knowledge, help explain apparent inconsistencies in prior work on knowledge attributions, and constitute progress toward a general understanding of the relation between success and luck. (shrink)

Husserl’s phenomenology is not an attempt to answer questions about contingent fact and existence. Rather, it is an attempt to specify conceptual truths about phenomena. In particular, it takes no stand on the existence of other minds. Thus, any interpretation of Husserl’s answer to the problem of intersubjectivity as affirming the existence of other minds is mistaken.

ABSTRACT:We provide a brief history of the business and human rights discourse and scholarship, and an overview of the articles included in the special issue.

This argument defends Hempel's rejection of the converse-consequence condition and argues against Baruch Brody's attempt to revive "something like" it.

This paper addresses several reasons why students may be uninterested or unwilling to engage with the problem of evil and discusses a method of teaching it which overcomes these difficulties. This strategy, first, distinguishes between evil and gratuitous evil. This prevents students from thinking that the task of theodicy is fulfilled by a reconciliation of God with mundane evil (e.g. immunizations). Second, the goal of theodicy is framed as the reconciliation of God with the appearance of evil. Emphasizing appearance in (...) this way clearly frames the work of arguments from evil and theodicies as arguments for or against the reality of this appearance. Third, it is made explicit that all candidate theodicies must attempt to cover all evil and that the reasons supporting their conclusions must compass morally sufficient reasons (a moral reason which justifies suffering) and the greater good (a good which is sufficiently good to justify the evil necessary for its achievement). (shrink)

Are transcendental phenomenology and possible worlds semantics, two seemingly disparate, perhaps even incompatible philosophical traditions, actually complementary? Have two well-known representatives of each tradition, J.N. Mohanty and J. Hintikka, misinterpreted the other's philosophical "program" in such a way that they did not recognize the complementarity? Charles Harvey 1 has recently argued that the answer to both questions is "yes." Here I intend to argue that the answer to the first is unclear, whereas the answer to the second is "no." Mohanty (...) (at least) rightly cites fundamental differences between transcendental phenomenology and possible worlds semantics. (shrink)

This is a book review article of David O'Connor's God and Inscrutable Evil.

Peter Goldie and Elisabeth Schellekens have recently articulated the Idea Idea, the thesis that “in conceptual art, there is no physical medium: the medium is the idea.” But what is an idea, and in the case of works such as Duchamp's Fountain, how does the idea relate to the urinal? In answering these questions, it becomes apparent that the Idea Idea should be rejected. After showing this, I offer a new ontology of conceptual art, according to which such artworks (...) are not ideas but artifacts imbued with ideas. After defending this view from objections, I briefly discuss some implications it has for the ontology of art in general. (shrink)

Now reissued with substantial new material, The Seventh Sense is the definitive study of the aesthetic theory of the great eighteenth-century philosopher Frances Hutcheson, and its huge influence on British aesthetics. Peter Kivy's book is a seminal work on early modern aesthetics, and has been much in demand since going out of print some years ago; this new edition brings the book up to date with the addition of eight essays that Kivy has written on the subject since (...) 1976. (shrink)

Earlier in this volume, Wesley Salmon has given a characteristically clear and trenchant critique of the account of non-demonstrative reasoning known by the slogan `Inference to the Best Explanation'. As a long-time fan of the idea that explanatory considerations are a guide to inference, I was delighted by the suggestion that Wes and I might work together on a discussion of the issues. In the event, this project has exceeded my high expectations, for in addition to the intellectual gain (...) that comes from the careful study of his essay, I have benefited enormously from the stream of illuminating emails and faxes that Wes has sent me during our collaboration. Doing philosophy together has been an education and a pleasure. Salmon's essay would place Inference to the Best Explanation beyond the pale of acceptable philosophical accounts of inference. According to Salmon, Inference to the Best Explanation has serious internal difficulties and compares very unfavourably with Bayesian approaches to these matters. My aim in the following remarks is irenic. I hope to show that a number of the claimed difficulties either are not really difficulties or are avoidable. In some cases, the avoidance will require a mild reinterpretation of the account that lies behind the slogan `Inference to the Best Explanation'; in others, it will require admitting limits to the scope of the account. For I accept at the outset that Inference to the Best Explanation cannot possibly be the whole story about the assessment of scientific hypotheses. For me, the interesting idea is simply that we sometimes decide how likely a hypothesis is to be correct in part by considering how good an explanation it would provide, if it were correct. This is the idea of explanatory considerations providing a guide to inference, and this is the idea that I will here promote. (shrink)

This paper provides further motivation for a principle relating freedom and modality that appeared in “Freedom and the Fixity of the Past” (The Philosophical Review, Vol. 121), where the principle was used to argue for incompatibilism about freedom and determinism. The paper also replies to objections to that principle from Tognazzini and Fischer (“Incompatibilism and the Past,” this volume).

James Shelley argues that the perception of beauty, as Hutcheson characterizes it, in the first of the two treatises that comprise the Inquiry into the Original of our Ideas of Beauty and Virtue, that is, the Inquiry Concerning Beauty, Order, Harmony, Design, is not what I called in The Seventh Sense, ‘non-epistemic’ perception but, rather, ‘epistemic’ perception through and through. Having studied Shelley's arguments with care, and consulted the relevant primary sources yet again, I am still convinced that the (...) best reading of Hutcheson's second Inquiry, in the first edition of 1725, has Hutcheson espousing a non-epistemic account of our perception of what he calls ‘absolute beauty’. And so I argue in the present paper. (shrink)

The Seventh Sense is the definitive study of the aesthetic theory of the great eighteenth-century philosopher Francis Hutcheson, arguably the founder of the modern discipline of aesthetics, and one of the most important figures of the Scottish Enlightenment. This new edition brings Peter Kivy's seminal work back into print, substantially expanded by the addition of seven essays, which deal primarily with Hutcheson's relation to other thinkers, and his influence on eighteenth- and early nineteenth-century aesthetics.Part I of The (...) Seventh Sense presents a detailed analysis of Hutcheson's aesthetic theory. Part II traces the considerable influence of Hutcheson's theory up to the early years of the nineteenth century. Part III is a new and substantial addition to the original work, collecting Peter Kivy's essays on this topic since the first edition appeared, which deal primarily with Hutcheson, David Hume, and Thomas Reid. Philosophers of art, historians of philosophy, and historians working on eighteenth-century European art and culture will find this new edition an invaluable resource. (shrink)

The Seventh Sense is the definitive study of the aesthetic theory of the great eighteenth-century philosopher Francis Hutcheson, arguably the founder of the modern discipline of aesthetics, and one of the most important figures of the Scottish Enlightenment. This new edition brings Peter Kivy's seminal work back into print, substantially expanded by the addition of seven essays, which deal primarily with Hutcheson's relation to other thinkers, and his influence on eighteenth- and early nineteenth-century aesthetics.Part I of The (...) Seventh Sense presents a detailed analysis of Hutcheson's aesthetic theory. Part II traces the considerable influence of Hutcheson's theory up to the early years of the nineteenth century. Part III is a new and substantial addition to the original work, collecting Peter Kivy's essays on this topic since the first edition appeared, which deal primarily with Hutcheson, David Hume, and Thomas Reid. Philosophers of art, historians of philosophy, and historians working on eighteenth-century European art and culture will find this new edition an invaluable resource. (shrink)